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专辑名称：Pocketful Of Sunshine
歌手姓名：Natasha Bedingfield
唱片公司：Sony/BMG
发行日期：2008年01月22日
专辑流派：Pop

专辑介绍：

    On Pocketful of Sunshine, Natasha Bedingfield sounds like Joss Stone only bouncier. Nothing wrong with that. In fact, the brightness and buoyancy of this record will keep it spinning long after CDs that shoot for hipster credibility--with funked-up bells and fancy production whistles--have been deposited back into their jewel cases for all eternity. Check it out: "Love Like This," with Sean Kingston, puts its hands in the air for puppy love--the kind that'll bring you back to your "middle school kiss"--and a couple of other songs follow the youth-themed suit. "Backyard" time-travels to an idyllic childhood, while "Freckles" fleshes out, for the benefit of the insecure, the beauty in imperfections. Elsewhere, Bedingfield is her indomitably upbeat self. Opener "Put Your Arms Around Me" reeks of reassurance and tenderness. "Happy" implores would-be gloom-and-doomers to snap out of it, and while the title track doesn't wander all that far lyrically, it benefits from a chanted verse brimmed in (positive) attitude. The vibe, overall, is beach-blanket warm and blue-sky ready. Sunshine earns a pocketful, if not more, of pop-music props.


曲目列表：

01. Put Your Arms Around Me
02. Pocketful Of Sunshine
03. Happy
04. Love Like This (feat. Sean Kingston)
05. Piece Of Your Heart
06. Soulmate
07. Say It Again
08. Angel
09. Backyard
10. Freckles
11. Who Knows
12. Pirate Bones
13. Not Givin' Up
试听曲目Backyard
[wmv]http://d1.1ting.net/Fanchang_2fd/000129/F7B254604D7F21A4.mp3[/wmv]
BT种子


[ 本帖最后由 deviljue 于 2008-2-10 22:20 编辑 ]

加点介绍
Natasha Bedingfield，一位真材实料的新人：她的歌声有超强吸力；她的形象靓中带劲；她对创作和歌唱的专情始终如一；她复兴了沉寂许久的“女力”；她对于“流行”的国际通行密码了若指掌；她甚至还怀抱著成为萨克斯风大师的梦想…，总之，Natasha是位多才多艺的创作歌手。这位才女在发表自己的首张个人专辑前，她的其他作品就已经好到藏不住，先被其他艺人─像是美国新进团体Cherie Amour等等─相中，选为他们的主打歌曲。

再不注意就要扣你的分了。。

On Pocketful of Sunshine, Natasha Bedingfield sounds like Joss Stone only bouncier. Nothing wrong with that. In fact, the brightness and buoyancy of this record will keep it spinning long after CDs that shoot for hipster credibility--with funked-up bells and fancy production whistles--have been deposited back into their jewel cases for all eternity. Check it out: "Love Like This," with Sean Kingston, puts its hands in the air for puppy love--the kind that'll bring you back to your "middle school kiss"--and a couple of other songs follow the youth-themed suit. "Backyard" time-travels to an idyllic childhood, while "Freckles" fleshes out, for the benefit of the insecure, the beauty in imperfections. Elsewhere, Bedingfield is her indomitably upbeat self. Opener "Put Your Arms Around Me" reeks of reassurance and tenderness. "Happy" implores would-be gloom-and-doomers to snap out of it, and while the title track doesn't wander all that far lyrically, it benefits from a chanted verse brimmed in (positive) attitude. The vibe, overall, is beach-blanket warm and blue-sky ready. Sunshine earns a pocketful, if not more, of pop-music props.
这段的翻译如下，他人翻译
Natasha Marsh来自英格兰的歌剧女高音歌唱家。

Natasha Marsh，于2006年9月独家签约于EMI Classics （百代古典）并于2007年2月发行首张专辑"Amour"。并且摘下UK Classical Artist Chart（英国古典歌曲排行榜）的桂冠。

完美的高音，惊艳四座的外型以及对歌剧持久的热情使得Natasha Marsh成为古典迷们心中的最爱。她的首张专辑Amour无疑给那些熟悉古典歌剧的人们带来了惊喜，这些惊喜不仅体现在她对艺术的热爱更显示在她对古典流行歌曲以及影音带的沉醉之中。当Marsh的声音被一些唱片无可避免的冲击到云霄时，例如Verdi的"Si Un Jour"（一天）（主题来自于Florette的Jean，开唱片行的），Satie的"Gymnopedie No. 1"以及Delibes的"Les Filles de Cadix"（Cadix的女孩），Marsh听起来无比的惊喜和满足，她捕捉到一种非古典的因素―一种轻快的罗曼感。 例如"Autumn Leaves" （秋天的树叶），或者是像Ewan McColl 的"The First Time I Ever Saw Your Face"（第一次见到你）的梦中的波动。同样地，她对电影的热情（她学习音乐和戏剧并且对这两样抱有同样地热忱）增强了她对唱片潜藏的兴趣，特别是她在Nino Rota的 "Al Giochi Addio"（主题来自于罗密欧和朱莉叶）和Bacalov的 "Mi Mancherai"（主题来自于Il Postino）中激情的表演。总而言之，Amour毫无疑问的为Natasha Marsh今后成为万众著名的高音全才奠定了基础。